![]() An impressed Alfred Hitchcock, no less, sent Wilder a telegram that read “Since Double Indemnity, the two most important words in motion pictures are ‘Billy’ and ‘Wilder. It was the walk of a dead man.” Hailed as an instant classic, Double Indemnity retains its awesome power and fascination over 70 years since its release. Miklos Rozsa’s insistent, foreboding soundtrack acts as a leitmotif for MacMurray’s descent into hell as the innovative first-person narrative tells us after the murder, “I couldn’t hear my own footsteps. Edward G Robinson is also memorable as MacMurray’s boss whose “little man” inside him tells him something’s not quite right about the case. William Rothman calls this Hitchcocks first American movie to be the identical of his British work and states that it presents pattern to all he wise in. Fred MacMurray is brilliantly cast against type in this landmark film as the cocky insurance salesman seduced by quintessential femme fatale Barbara Stanwyck (never better) into murdering her husband. ![]() From the James M Cain novel and featuring taut direction and a sparkling script from Wilder and Raymond Chandler, Double Indemnity set the standard for the genre for years to come. ![]()
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